10 books about journalism

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Introduces the genre of creative nonfiction and suggests techniques for writing stylized true stories, offering writing exercises and advice on scheduling, selecting subjects, framing, and editing.

For the past fifty years, Rolling Stone has been a leading voice in journalism, cultural criticism, and--above all--music. This landmark book documents the magazine's rise to prominence as the voice of rock and roll and a leading showcase for era-defining photography. From the 1960s to the present day, the book offers a decade-by-decade exploration of American music and history. Interviews with rock legends--Bob Dylan, Mick Jagger, Kurt Cobain, Bruce Springsteen, and more--appear alongside iconic photographs by Baron Wolman, Annie Leibovitz, Mark Seliger, and other leading image-makers. With feature articles, excerpts, and expos�s by such quintessential writers as Hunter S. Thompson, Matt Taibbi, and David Harris, this book is an irresistible and essential keepsake of the magazine that has defined American music for generations of readers.

Navigating the workplace, especially in the highly visible world of news media, is more confusing and challenging for women than ever before. There's No Crying in Newsrooms tells the stories of women who have made it to the top of the nation's news organizations and describes what it takes to be a leader - and what it costs.

"The recipient of multiple Peabody and Murrow awards, Clarissa Ward is a world-renowned conflict reporter. In this strange age of crisis where there really is no front line, she has moved from one hot zone to the next. With multiple assignments in Syria, Egypt, and Afghanistan, Ward, who speaks seven languages, has been based in Baghdad, Beirut, Beijing, and Moscow. She has seen and documented the violent remaking of the world at close range. With her deep empathy, Ward finds a way to tell the hardest stories. On All Fronts is the riveting account of Ward's singular career and of journalism in this age of extremism. Following a privileged but lonely childhood, Ward found her calling as an international war correspondent in the aftermath of 9/11. From her early days in the field, she was embedding with marines at the height of the Iraq War and was soon on assignment all over the globe. But nowhere does Ward make her mark more than in war-torn Syria, which she has covered extensively with courage and compassion. From her multiple stints entrenched with Syrian rebels to her deep investigations into the Western extremists who are drawn to ISIS, Ward has covered Bashar al-Assad's reign of terror without fear. In 2018, Ward rose to new heights at CNN and had a son. Suddenly, she was doing this hardest of jobs with a whole new perspective"--

At a time when the role of journalism is especially critical, the former executive editor of the Washington Post writes about his nearly 50 years at the newspaper and the importance of getting at the truth. In 1964, at age 22, Len Downie joined the Washington Post as an intern. He became a pioneering investigative reporter, news editor, foreign correspondent, and managing editor, before succeeding the legendary Ben Bradlee as executive editor. As Downie writes, he was quite different from Bradlee. But he played an equally important role over more than four decades in making The Post one of the world's leading news organizations. Among the stories he was involved with were the historic Watergate story, the investigation and impeachment of President Bill Clinton, the Unabomber (who threatened to kill more people if The Post did not publish his 'manifesto'); the 9/11 terrorist attacks, and many national security stories published in defiance of government wishes. He managed The Post's ascendency to the pinnacle of influence, circulation and profitability, before being confronted by the digital transformation of the news media that threatened to put the Post out of business. In a dangerous age of fake news and media manipulation, Downie's judgment, fairness, and commitment to truth will inspire anyone who wants to know how journalism at its best, works.

The wild inside story of the birth of CNN and dawn of the age of 24-hour news How did we get from an age of dignified nightly news broadcasts on three national networks to the age of 24-hour channels and constantly breaking news? The answer--thanks to Ted Turner and an oddball cast of cable television visionaries, big league rejects, and nonunion newbies--can be found in the basement of an abandoned country club in Atlanta. Because it was there, in the summer of 1980, that this motley crew somehow, against all odds, launched CNN. Lisa Napoli's Up All Night is an entertaining inside look at the founding of the upstart network that set out to change the way news was delivered and consumed. Mixing media history, a business adventure story, and great characters, Up All Night tells the story of a network that succeeded beyond even the wildest imaginings of its charismatic and uncontrollable founder, and paved the way for the world we live in today.

No synopsis available at the moment.

No synopsis available at the moment.

The five-time Emmy Award-winning investigative reporter and New York Times bestselling author of Stonewalled and The Smear uncovers how partisan bias and gullibility are destroying American journalism. The news as we once knew it no longer exists. It's become a product molded and shaped to suit the narrative. Facts that don't fit are omitted. Off-narrative people and views are controversialized or neatly deposited down the memory hole. Partisan pundits, analysts and anonymous sources fill news space leaving little room for facts. The line between opinion and fact has disappeared. In Slanted, Sharyl Attkisson reveals with gripping detail the struggles inside newsrooms where journalism used to rule. For the first time, dozens of current and former top national news executives, producers and reporters give insider accounts, speaking with shocking candor about their industry's devolution. Americans know their news diet is now filled with fast food concoctions created from talking point recipes devised by partisan and corporate interests. They see a record number of fact mistakes made by some of the world's most formerly well-respected media outlets . . . often with no apologies. The media largely blames Donald Trump. But as this autopsy shows, the death of the news as we once knew it is self-inflicted. And the weapon was the narrative. Sharyl Attkisson also finds reason for hope and argues that courageous, counternarrative news reporting can revive journalism. --Jeff Gerth, Pulitzer Prize winning former investigative reporter for the New York Times about Stonewalled